Thoughts, reviews, rants, laments, and general chatting about the wonderful world(s) of comic books.
Showing posts with label Now Comics. Show all posts
Showing posts with label Now Comics. Show all posts
Oct 3, 2018
The 40 Years of Comics Project - Day 1316: Eb'nn #4, September 1986
I see issues of Eb'nn in quarter bins everywhere, both this Now series, and the previous Crowquill Comics issues. I've never given it much thought, but after today's issue, perhaps I will. It was very well-scripted and drawn, though the title character really seemed to do very little in today's issue. It was more about his companions and how they deal with a couple of mad scientists from whom they seek shelter.
There's more than a little of the Rocky Horror Picture Show going on here, as the two lion scientists decide to use Eb'nn and his compatriots as test subjects in their experiments. Fortunately, thanks to the intervention of a previous test subject, the group escapes a sticky fate, and leaves the house no worse for the wear. The same cannot be said of the two scientists, whose fate, at the tale's end, is sealed.
Eb'nn falls into a category of comics that I only rarely touch on, the funny animal/furry comic. It's unfair to call comics like this "funny animal," I think, as this is a throwback to the days in which comics told tales of rascally rodents and curmudgeonly critters. There's little resemblance between those comics and the comedy-adventure of Eb'nn. Granted, without those early anthropomorphs, we wouldn't have something like today's comic, but there's got to be a better way of speaking about the genre. Perhaps "Anthropomorphics" is a better category.
Regardless, an entertaining read. Glad I finally had a chance to see what this series is all about.
More to come...
Oct 2, 2018
The 40 Years of Comics Project - Day 1315: Mirror Walker #1, October 1990
A really weird little comic - more than any other comic I've read, I got the suspicion that this one didn't really know what it wanted to be. Which, given it's format, is understandable.
The banner at the top of the cover proclaims "The first photo/animated comic!" - a claim the truth of which I'm not sure. What it means by the banner is that all of the backgrounds for the comic are photographs, and the characters are drawn over top of those pictures. The effect appears very much more like animation than traditional comics.
The story seems like it might be interesting, but this issue felt like it had a bit too much set up. The use of mirrors as a way of travelling between dimensions places the tale in an illustrious lineage, with such works as Through the Looking Glass, or the Flash villain Mirror Master, making excellent use of the trope. Using such a story, in conjunction with the photographic backgrounds, suggests that the story could be asking questions about representation, reflection, and how we differentiate those two when it comes to our cultures. Well, maybe.
The series never got beyond this issue, though it was only supposed to be a 2 issue series to begin with. Sadly, this leaves our focal character, Alan, stranded on a desert island with a woman who seems to both want him and want to kill him. Hopefully she's erring on the side of the former.
More to come...
Oct 1, 2018
The 40 Years of Comics Project - Day 1314: Syphons v.2 #3, July 1994
This letter writer gets it:
"The art is a different matter. Crotch shots and jutting breasts may attract the pre-teen masturbation crowd, but it doesn't make for a continuing, loyal readership among the rest of us. If your characters spent more time paying attention instead of posing with butts out, they might spend less time getting them kicked!"
I'll admit I didn't know what was going on in this comic, and only about half way through did I realize I'd been rooting for the wrong characters. But the letter writer is correct. Every goddamn chance they get, the characters are striking poses. Male and female, granted. But then there's the women's costumes, that are all some variation on that design up above. There's one character, in the very last panel, who is most definitely exposing labia majora. And somewhere, somewhen, an editor looked at it and said "Yep, print it."
*sigh*
The same letter writer acknowledges that the story being told in these pages has the potential to be a good one, but the art is just so very distracting as to all but erase any pretense of concentrating on the narrative.
I've got three comics left from Now Comics, and I think I'll polish them off. That might actually constitute my first completed publisher. Well, besides ones who only published a single comic, I suppose.
More to come...
Sep 30, 2018
The 40 Years of Comics Project - Day 1313: The Real Ghostbusters #7, January 1988
Another cleverly-scripted issue of this series. I'm now wondering if I need to rethink all those times that I skipped over the series in the quarter bins. It seems that ghosts are possessing mobsters in order to live the good life. The Ghostbusters pose as a rival mob and take them down. But there's some hinting about larger stories going on, which I find very interesting. It's one of the things that often draws people to film-adaptation comics - the opportunity to flesh out the fiction. A film has to do a number of things very quickly in order to keep its audience entertained. Very often, there's little room for establishing the world of a film, especially back in the old days before extended series of films were even a thing. So a comic gives writers a chance to do so. The old DC Star Trek comic is a perfect example, really, as is this comic. Although the likenesses are very unlike, we get a glimpse into some of the other cases the Ghostbusters have faced, rather than simply the world-shattering ones we get in the movies. A comic like this provides a much more solid foundation for the characters and conundrums presented in the films.
More to come...
Sep 29, 2018
The 40 Years of Comics Project - Day 1312: Married...With Children: Kelly Bundy Special #3, October 1992
Although this post is dated the 29th, I wrote it on the 30th. Yesterday, for the first time in 1311 days, I forgot to read a comic for the project. I've had days where I haven't blogged on time, but I haven't, before now, forgotten to read anything at all. I must be getting old.
So, here it is, the comic I'd meant to read on the 29th. It is pretty thoroughly unremarkable. Mildly amusing, in the same way the the televisual source material is.
More to come.
Sep 28, 2018
The 40 Years of Comics Project - Day 1311: The Real Ghostbusters #28, February 1990
A thoroughly entertaining take on the possessed by an evil ancestor trope, definitely much more amusing than Charles Dexter Ward. Throw in some ghostly time travel, and you've got me hooked. Unfortunately this is the last issue of the series - perhaps a wonderful last hurrah?
And I'm very tired tonight, so that's all for now. More to come...
Sep 27, 2018
The 40 Years of Comics Project - Day 1310: Married...with Children - Kelly Bundy Special #1, August 1992
I was never a fan of Married...with Children. It just seemed overly crass to me. I was such a sensitive teen ;P
This comic is exactly what you would expect an adaptation of that show to be. Crass, silly, lots of bouncing boobs, and Al Bundy, the world's worst husband and father. The story is funny, but not really funny.
What this comic has reminded me of is how much I like Christina Applegate. She's a very funny lady who managed to not be typecast after playing Kelly Bundy, which is quite a feat.
More to come...
Sep 26, 2018
The 40 Years of Comics Project - Day 1309: Alias: #1, July 1990
There aren't a lot of comics in my collection form Now Comics, so I thought I'd read through them all. Be warned: two of them are Married...With Children comics that are likely to be just awful. But we'll persevere, shall we.
I wasn't sure what to expect when I opened this comic up this morning, but leading off with a Bill Sienkiewicz cover is a bold move. The comic within, actually, doesn't disappoint. It's intriguing and mysterious, following the life of a, as one FBI agent puts it, "contract serial killer." The series runs five issues, and I hope there's some resolution. I'm of a mind to pick this one up when I see it. I'd like to see how things turn out.
From an aesthetic, narrative as well as visual, perspective, this is a very, very early 90s comic. The art reminds me of Steve Yeowell's work on The Invisibles, and the story, following a very definite anti-hero through his macabre life, smacks of the sorts of stories we see in early Vertigo. As I say, I don't have a lot of Now Comics stuff in the collection, certainly not enough to get a sense of whether or not this comic was indicative of their output, or aberrant somehow. It doesn't bear much resemblance to Vector, and certainly not to Married... .
Will the strangely charismatic serial killer avoid capture by the canny FBI agent? There's an excellent chance I'll never know.
More to come...
Sep 25, 2018
The 40 Years of Comics Project - Day 1308: Vector #4, January 1987
Maddeningly, the only other issue I have of this series is this one, issue #4, the final issue.
I have absolutely no idea what happened in between the two issues, but there's druids and a weird dimension that looks like it was rendered on a Commodore 64, and a plot to blow up Stonehenge, and a whole lot of people dying when weird giant computer creatures punch holes in an airplane.
I suppose a comic like this has a place in the history of the medium, not perhaps because of its story, though dealing with new technologies has always been the purview of fantasy. Instead, the early utilization of computers to enhance comics is itself an important landmark, something shared by the early Batman: Digital Justice, and Iron Man: Crash.
No idea what we'll read tomorrow. More to come...
Sep 24, 2018
The 40 Years of Comics Project - Day 1307: Vector #1, July 1986
My family were pretty early adopters of computer technology. I think our earliest one was around 1982 or 83, the Odyssey II system. Very much an educational tool, it came with a few games that were all about math and reading. But my Dad had the bug, and we kept up, as much as we could, with technological trends.
The trouble with Vector is that it seems to be written from the perspective of someone who didn't, even though it's a partially computer-generated comic. The story can't seem to decide if it's in favour of or against computers, and after reading the first issue, I'm not sure which side it's on either. The gentleman on the cover seems to get strange, precognitive powers from a computer that his girlfriend brings home for him one day. A computer that has keys with ancient Druidic markings. When they try to take the computer back, the store has vanished.
I guess, at the time, computers were the cutting edge of technology. And, I suppose if I'm to be honest, it probably felt a little overwhelming to me at the time. I was a sponge-like child, so I can't imagine how overwhelming it would be to someone a generation removed from me. Gotta check that privilege every now and again.
I've got the second issue of this series, so perhaps I'll read it tomorrow and see if the series makes a decision on how it feels about this new-fangled technology!
More to come...
Dec 2, 2016
The 40 Years of Comics Project - Day 646: The Twilight Zone #9, July 1992
Off to the Serling realms today. The lead story is quite good. There's something ridiculously creepy about a sinister carnival. Partway through the tale the characters enter a fun house, at which point the comic becomes a 3D comic, which can be a problem sometimes, but in this case is actually pretty great. There's a couple of panels that really make brilliant use of the format.
But the best part is the end of the back-up tale, a story of the Devil using infomercials to collect souls. The twist is that there's a charge for the call, even if you don't accept the deal. As the hapless victim is being dragged away by demons, the Devil's phone rings again. He answers with "Well, hello, Mr. Trump. We've been expecting your call!"
Mystery solved.
Onward!
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