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Showing posts with label Concrete. Show all posts
Showing posts with label Concrete. Show all posts

Sep 26, 2016

The 40 Years of Comics Project - Day 579: Tales from the Edge 1994 Summer Special, August, 1994

http://www.comics.org/issue/762899/

From the gentle drama of Concrete to....well, to a very strange place. Vertigo's success in the early 90s allowed for a far more experimental side of comics storytelling to emerge from the shadows, if only briefly. Today's comic is emblematic of those that emerged. The styles of art in the book are hardly traditional (though there's a couple of tribute pieces that are very traditional), the stories are just on the edge of actually being stories. It wasn't an easy comic to read (not for the subject matter, but the actual physical make-up of the book), but it was certainly a rewarding one. I'm always pleased to jump into something that reminds me of how far out comics can actually get. There's much of The Cage in this collection, much of the McKean Sandman covers. There's proof of the fact that that shining Vertigo moment in 1994 (when we had the advents of The Invisibles, Preacher) let us see that there was a market in the mainstream for comics that were decidedly un-mainstream.

Tales from the Edge, it seems, was an ongoing anthology title, at least for a little while, though I think this comic is the only one in my collection from Vanguard Studio Productions. I'll have to keep my eye out for other issues.

Onward!

Sep 25, 2016

The 40 Years of Comics Project - Day 578: Concrete: Fragile Creature #4, February 1992

http://www.comics.org/issue/50039/

So we come to the wrap of the Rulers of the Omniverse film shoot. Concrete is exonerated of any wrongdoing in the accident that almost shuts production, Maureen figures out a way to continue her governmentally frowned upon relationship, and the film turns out to be....pretty good, actually.

The best part of this whole series is the last few pages, in which Concrete thinks back over his time on the set, and begins to put down his words on paper. "This is life. This is it. This is what I do." So simple and so achingly beautiful. Concrete, the series and the character, remind me of Wallace Stevens' poetry, explorations of the still moments that make up the vast and unceasing movements of lived experience. I'll be reading the rest of this series, once I've tracked it down, to be sure.

There is one other moment I want to highlight. I've recently finished reading Neil Postman's Amusing Ourselves to Death, an occasionally hysterical, but more often brilliant, take on the movement from a print-based discursive culture to an image/televisual based discursive culture. Though 30 years old, there are still moments in it that resonate, some perhaps more so than Postman might have anticipated with the advent of the Internet. Similarly, facing down a crowd of reporters, Concrete turns the cameras upon one another and says this: "Here's the big story...I'm just a footnote. Camcorders are the real story. And the cheaper and more numerous they get, the more they will determine history. Before long we will all live in view of the one-eyed idiot god, at least outdoors. Our actions will be subject to the snap judgments of the collective consciousness, looking for good guys and bad guys. But to you now worshipping in the flickering blue light, I say this: The beating of Rodney King notwithstanding, an image without context is less than half a truth. So be skeptical. Think critically. Read. And good day." Actually, having written that, I think Mr. Chadwick must have read Amusing Ourselves to Death. But that section "..the cheaper and more numerous they get, the more they will determine history..." is an eerily prescient moment. It has become our lived experience. Fortunately, though not ubiquitously, we have learned from the Internet, from digital manipulation, to be skeptical, but the fact remains that what is recorded on a cell camera is seen as truth, and "truth" becomes history.

"Think critically." That line alone, at the very least, gives justification for the job I do. Thanks, Paul Chadwick.

On to something else to start the week off tomorrow. Onward!

Sep 24, 2016

The 40 Years of Comics Project - Day 577: Concrete: Fragile Creature #3, August 1991

http://www.comics.org/issue/49915/

I have to say, I am really, really enjoying this series. I want to rush out and get the collected editions of this whole series now. Mr. Chadwick's art is amazing, at once detail-oriented and atmospheric, and the story is just lovely. There's a hint of mystery, drama, corporate shenanigans, and espionage. Plus, y'know, the giant sci-fi-looking protagonist.

I have to wonder how much of the film-making business is the same now as it was in the early 90s setting of this series. Probably a lot.

I don't have too much to say today. My Mum and Dad are visiting this weekend, so the comic reading (and writing) has to take a back seat. We'll finish up Concrete tomorrow, and then...onward.

Sep 23, 2016

The 40 Years of Comics Project - Day 576: Concrete: Fragile Creature #2, 1991

http://www.comics.org/issue/49776/

There's an interesting note in the indicia of this issue that reads "This series will not be collected in album format for at least two years after initial publication." I'm not entirely certain why such a note would be provided, especially in a place that few, if any, readers will note.

The film is back on, Concrete is both helpful and hindering, and bad things seem to be happening to the people around him. Except his scientist friend, who's betraying national security and getting her rocks off.

Seriously, this is a lovely little character piece. The people are not only individually visually rendered, but also narratively. And, Concrete's appearance aside, we're simply getting a view of a normal (ish) life - there's bills to pay, work to do. It just so happens that the work involves being slightly super-powered in a mundane world. Which, I think, many of us feel in moments of our day to day lives.

Onward!

Sep 22, 2016

The 40 Years of Comics Project - Day 575: Concrete: Fragile Creature #1, June 1991

http://www.comics.org/issue/49661/

Concrete is one of those titles, and characters, that I've had in the background of my knowledge for some time now, but I've never read any of his adventures. The premise is lovely: a man has his brain transplanted into a giant, concrete-like body by aliens, but rather than this leading to vast revolutions in thought or superheroics, the aliens leave, and the guy tries to get on with his life.

In this mini-series, a companion piece to the ongoing, Chadwick and Concrete explore the ins and outs of the strange world of film-making. I kind of love the gentle mockery that's going on here of the old, 1980s Masters of the Universe film - Concrete is hired to do practical special effects on a fantasy movie based on a toy line, the main character of which is named (He-) "Mann." In keeping with the notion of this bizarrely-reconfigured man trying to get on with his life, the story is a gentle one. Aside from a demonstration of his abilities for the film producers, nothing gets blown up, Concrete fights with no one, and the drama revolves around the precarious nature of the funding for the film.

It's actually quite a lovely change of pace.

So I'll be reading this for the next few days, though you'll forgive me, I hope, if things are a little less-than-scheduled over the weekend - my Mum and Dad are coming for a visit, so I may actually have to venture into the outside world and be social. Horrors!

Onward.