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Showing posts with label Wildstorm. Show all posts
Showing posts with label Wildstorm. Show all posts

Jul 24, 2020

The 40 Years of Comics Project - Day 1976: Crimson #1, May 1998

For information on stopping the spread of COVID-19, and on what to do if you are quarantined, have a look at the World Health Organization site.
 

https://www.comics.org/issue/61760/


 When the three Cliffhanger titles debuted, I picked up the first issues of each of them. Danger Girl was okay, but really was just showcasing J. Scott Campbell's ability to draw beautiful women. Battle Chasers was okay, but I really just couldn't see past Red Monika's boobs. I don't think anyone else could either.

Crimson, by today's featured creator Humberto Ramos, was the most low-key of the three titles, and the one that I was most interested in. And it's the longest-running of the three original titles, ending at issue #24 in 2001. That said, I only have the first few issues. I find that I have moments of buying comics where I'm after far too many at once, and sometimes I have to make hard decisions. On the other side of things, I haven't bought a new comic in almost 6 months. Once Squirrel Girl ended, I just couldn't see the point.

Anyway, this comic is absolutely loaded with diversity. Taking place, as it does, in the grimier parts of New York City, we see a vast array of characters from numerous different backgrounds. I'm wrestling with whether the depiction of Joe in the comic is okay or not - he's given some Native American trappings, but it's hard to tell if the character is actually Indigenous or not. Guess I'll have to read more. But, yeah, for a comic from the 90s, this is a remarkably diverse book. I guess this is what happens when we have comics that aren't just written and drawn by white guys for white guys. A comic like Crimson, like many of the queer comics I've reviewed, looks much more like the world I see outside my doors than a lot of mainstream comics. How any of the insane Comicsgaters could possibly think that this weakens the medium somehow is just beyond me.

More to follow.

Aug 1, 2018

Comics' Ephemera 1 - Swimsuit / Lingerie Issues

Beginning a new month, I'm hoping to get back to occasionally writing things other than the 40 Years project. I'm aiming for once a month right now.

Within my collection are a number of items that can really only be tangentially called "comics." They look like comics, certainly, and they often feature comics artists and writers, and well-known comics characters. But they're lacking in a particular part of comics, and that is narrative. But not solely narrative, because we have abstract comics that simply perform the art, rather than tell a story. Still sequential, not narrative. So not solely narrative, but without intent of narrative.

The swimsuit and lingerie issues, for example.

I've looked at one other, the Lady Death entry into the genre. I treated it like a comic, but it wasn't really one. So let's have a look at the rest of them, shall we?


Though it's often said that many Liefeld books are simply exercises in skimpy clothing for women, there's at least the veneer of story to deflect some attention. Not so here. One of 3 covers featuring model Cathy Christian as Liefeld's avenging angel (I think - I actually don't know much about Avengelyne). Within are numerous photos of Ms. Christian in bathing suits, as well as artist's renditions of characters from the series in various states of undress. Mostly, needless to say, women. There's no continuity, no tale being told, between the pages, which seems to me a lost opportunity. Imagine a story that was a series of splash pages featuring swimsuit-clad characters - shenanigans could indeed ensue.

One thing that I do think is important to note is that Ms. Christian appeared at cons as this character, and this is back in the 90s, so she's actually probably fairly important in the history of cosplay. As might this particular publication, too.

These publications, though, I don't think I'd ever call comics. They're art books, more correctly. There are a number of similar cases, where comics-like ephemera accumulates in the collection. We'll have a look at them over time. But first, more swimsuits and lingerie!

Babes of Broadway (get the double entendre, there?) is just awful. I don't know what Broadway Comics was, only that Jim Shooter was involved, as were some super top-level artists, and there's testimonials inside this comic from women who work for the company talking about how not offensive they find the whole idea of a lingerie/babe publication. I don't know, but I can't help but read them with a very large grain of salt.
















The Razor Swimsuit Special is a bit off-putting for the fact that the main character, in her usual romps, is bloodthirsty and violent in a way that only London Night Studios tends to pull off. And Faust, of course.

So seeing many of these characters in "come hither" positions, sometimes while engaged in other, more visceral pursuits, is weird. I've never really understood that aesthetic that links sexuality with brutal, brutal violence. A bit of consensual S&M is one thing, but horrifically mangling corpses while mostly nude - who is this appealing to, and how do I avoid them?

















I will add a caveat - there are actually some really lovely pieces of art in these books. Free of the constraints of continuity or audience expectation, there are occasionally cool interpretations of characters. But such interpretation could easily be subsumed into an art book - why go for the lingerie?

Well, the answer's obvious, unfortunately. Because Men.


Some more recognizable characters in the next couple of issues. The Wildstorm one is okay, I guess. Lots of bikinis, but varied art at least. There is one strange one that's Rose Tattoo from Warren Ellis's Stormwatch, who is literally death (I think) in that series, posing like a porn star on a weird alien planet. It's not just that the comics most definitely objectify women, but that they're completely unfaithful to the source material. I think it does a lot of dis-service to the characters.

















The Top Cow entry into this genre does pretty much the same thing as the Wildstorm one, but with another Image imprint. The irony that strikes me is that I mentioned back when I reviewed the first Fathom collection that I understood the Top Cow aesthetic much more in the context of a water-based story, but Top Cow doesn't do a swimsuit issue - they do a lingerie issue.

*sigh*




















One last one for your perusal. A small enough publisher that they have no comics listed in the GCD.

Though the artwork within is very good, it's exactly what you think it is.