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Showing posts with label Man-Thing. Show all posts
Showing posts with label Man-Thing. Show all posts

May 15, 2019

Look What I Just Found! - Man-Thing Appears in Guardians of the Galaxy!

Maybe someone else has seen this, but I couldn't find anything online about it. In the end credits sequence for Guardians of the Galaxy, we see one of my favourite characters, Howard the Duck. Howard first appeared in the series Adventure Into Fear when it was the primary vehicle for Man-Thing, a character that's far more interesting and far less sexual than he sounds.

Here's what he looks like:


In the post-credits sequence, we pan down on the Collector sipping a drink and getting licked by Laika. But have a look at what's in the top left of the screen:


Here's a closer look:


(Note - edited May 22 - tried to enhance the picture a bit.)

I don't know about you, but that certainly looks like Man-Thing's eyes and nose, and it definitely looks like a plant.

Both Howard and Man-Thing had their heydays under the auspices of the amazing Steve Gerber. His runs on both titles are near the top of my recommendation list. Actually, the Guardians' first substantial run was written by him too, though they were a very different team. Definitely a writer worth checking into.

Keep Reading?

The 40 Years of Comics Project - Day 1234: Giant-Size Man-Thing #4, May 1975

The 40 Years of Comics Project - Day 1248: Howard the Duck #9, February 1977



Jul 13, 2018

The 40 Years of Comics Project - Day 1234: Giant-Size Man-Thing #4, May 1975

https://www.comics.org/issue/28501/

5 months later, Howard comes hurtling back to Earth, and lands in the American city that has most become associated with the foul-mouthed fowl: Cleveland, Ohio. A lot of strange, strange things are about to happen in Cleveland. But, as with the previous comic, today's comic is much more the Man-Thing's story. Howard sort of defeats a "Man-Frog" intent on destroying humanity. That's about it.

The Man-Thing story, however, reminded me why I've often seen Steve Gerber as both a man of his time and a man ahead of his time. Today's issue deals with Man-Thing being drawn to nearby Citrusville by the emotions surrounding the death of a local teen. At one point in the story, the boy's journal is made public. In the comic, rather than have copious text boxes over panels, the boy's story is told in a series of text pages, all illustrated with symbolic accountings of the story. It's a move I've seen Mr. Gerber use a couple of times, often to great effect. He pulls us out of the lull that can overcome a comics reader, in much the same way that coming across a series of comic pages in a novel might ask a reader to think more about the medium within which they're meshed.

The subject of the journal, as it turns out, is the boy's account of having been made to feel ashamed of his body since his earliest memories. Parents and family, teachers, classmates, all of these people end up being complicit in his death, their taunts driving him to find solace in food which, eventually, impedes the working of his heart so much that it one day stops. It's rare to find tales of male eating disorders, and given the era of this comic, it's downright miraculous. Except that Steve Gerber was both a writer of, and before, his time. When one mentions the series Man-Thing, the fact of the title is often met with disbelief and amusement. But Mr. Gerber's run on this series is one of the most astute and artfully-crafted comics I've read. I sometimes think if we just changed the name, people might pay more attention.

There is a part of me that wonders, too, if the body-shaming was in some ways standing in for another taboo societal issue that would certainly not have found its way into a mainstream comic. There are occasional references throughout Edmond Winshed's testament of behaviours that were discouraged by those around him. What one might call more effeminate behaviours, behaviours that would have been associated with homosexuality at the time (i.e., playing with a kitchen or dolls instead of guns). And even if that's simply me reading through my own lens, the mark of a great piece of writing is that is is open, and receptive, to many different interpretations.

Unwittingly, I think I've just discovered a new favourite comic. I'll add it to the ever-growing list! Wonderful, poignant, everything I look for in a Man-Thing story.

More to come...

Jul 12, 2018

The 40 Years of Comics Project - Day 1233: Fear #19, December 1973

https://www.comics.org/issue/26976/

We're going to start getting into one of my favourite characters, Howard the Duck, this week. But not til tomorrow - I'm off to a drag show tonight, and haven't the time to blog this right now.

But I'm super excited to read some Howard. I love him.

More to come...

(Edit a few days later: Here's the thing about this comic - it's important to me in that it's the first appearance of Howard the Duck, and it's in pretty great shape, which is always nice. But, really, it's a Man-Thing story. Howard's appearance in the issue is solely as a member of the swamp creature's retinue as he shamblingly saves the universe. In fact, in the next part of the story, Howard is unceremoniously dumped into infinite, interdimensional space. But don't worry. We'll catch up with him soon...)

Dec 20, 2017

The 40 Years of Comics Project - Day 1029: Man-Thing v.3 #3, February 1998

https://www.comics.org/issue/61413/


So, not quite a Christmas comic, really, but I couldn't resist that cover. Seriously. Man-ta Claus. Santa-Thing. Brilliant.

Can't say much about the story, except to say that I think this series is going to have to go to the top of my list of series to finish. The art and the writing are just wonderful. J.M. DeMatteis is a great writer, and I just haven't read enough of his work. This reads a bit like Rachel Pollack's Doom Patrol, a bit like Moore's Swamp Thing, and a whole lot like Gerber's original run on this title. So cool.

And a bit Christmas-y, I guess.

To be continued.

Aug 19, 2017

The 40 Years of Comics Project - Day 906: The Adventures of the Thing #4, July 1992

https://www.comics.org/issue/51494/

When I read the first page of this issue, it read to me like an interaction from The Venture Brothers. Which, of course, is a parody of just this kind of superhero story and series, but it occurred to me that, through parody like VB, it's possible for a Fantastic Four comic to become a retroactive parody of itself. If that makes any sense.

This is a nice little rarity in the life of the malodorous Man-Thing. Rather than a constant state of pain due to the incessant fear that seems to follow him around, the swamp creature instead basks in the radiance of Ben Grimm's heroic nature. There are so many moments in this comic that really are textbook cases of the hyperbolic nature of superhero storytelling. A rooftop Oscar-moment facing the setting sun, flashbacks of old war stories while staggering half-dead, refusing to give up. And, truly, they're glorious. It's over the top and ridiculous, a story of extremes, in art and in letters. I think it may rank as one of my favourites of this era, and reaffirms my opinion of Marvel Two-in-One and writer Tom DeFalco's tenure on the title. They're really, really good.

To be continued.

Mar 11, 2017

The 40 Years of Comics Project - Day 745: Man-Thing #1, May 2017

https://www.comics.org/issue/1679653/

I wish, I really, really wish, that I could say that this comic was really great. I love Man-Thing (insert joke here [insert another insertion joke here]). The Gerber run on the comic was, and is, one of the best pieces of graphic criticism of a nation in turmoil that I've ever read. I wish we could see some more work like that now, with the Orange Man running roughshod over the US, but, alas, I think the comics companies are too invested in being companies, rather than producing art, sometimes.

I was also fairly confused by Man-Thing having his Ted Sallis brain back, and trying to be a star in Hollywood. This, to me, seems like just too far a stretch for this character. I know he's been a part of the recent iteration of the Thunderbolts, and I have no idea what happened to him there, but I kind of miss the old Guardian of the Nexus of Realities version of the character. There just seemed to be so much potential for a Doom Patrol-style series there that was just never picked up on. Ah well. Perhaps I'll get my turn one day.

The other reason I picked up the comic, aside from my love of Man-Thing is that it's written by kiddie-horror king R.L. Stine. He runs into the same kind of problem I see with lots of novelists writing comics, in that it takes them a while to recognize that they don't have to describe everything in the caption boxes. That's what the pictures are for. I'm willing to give the comic a couple more issues, but it's going to have to do something really neat to qualify for the unfortunately very short list of comics I can afford each month. I'll let you know how it goes.

To be continued.

Feb 27, 2016

The 40 Years of Comics Project - Day 368: Marvel Knights Double-Shot #2, July 2002


(Read today. Will blog tomorrow.)

(It's tomorrow now - isn't that an odd statement to make?)

 This comic was sort of made for me. Not only does it feature a very typically Morrisonian tale of uncertain identity and twist endings, but the second story is a Man-Thing tale written and illustrated by the amazing Ted McKeever. I don't have a lot of McKeever's work, but, for me, he represents that farthest reach, stylistically, of the aesthetic that crystallized in 90s Vertigo. Though his work with Rachel Pollack on Doom Patrol is not amongst the best-remembered parts of that series, I quite enjoy it. McKeever's messy unreality always jibed well with the tone of the series to me.

The Morrison tale in today's comic is a nice little piece of work, trading rather explicitly on the PKD connection I mentioned the other day. We've got telepathic mutants who aren't actually telepathic mutants, double and triple agents who aren't aware of their own double-ness, a badass super spy whose powers seem to include always ending up with very attractive women. There's a call-back of sorts in the story to Morrison's work on Animal Man, in that the "telepaths" in the story resemble the yellow aliens that originally gave Buddy Baker his powers. For Morrison's run, these aliens were ciphers for the creative force of the universe (i.e., Morrison himself), so what they're doing here, and their true identities, are interesting questions to ponder.

When we discuss short stories in an academic setting, we often make the distinction between time and place. Short stories are not meant to necessarily be about time - that's why they're short. They're a brief glimpse at a discreet slice of time, in which the important elements to note are the place-based elements. The setting, the interactions of the characters. We're not in it for an extended meditation on these things, but to witness, or experience, the action, and to take from that action a small kernel of knowledge. Given the very visual nature of comics, I wonder what differences in the parsing of comics short stories has from that of prose short stories. Fodder for further thought, I think.

Alright. Continuing on our Morrison week, we'll jump back a bit in time tomorrow, back to some 2000 A.D. material. Onward!

Jun 28, 2015

Live-Post: Sunday Afternoon Comics - Belly Button Comix #1

European comics are so strange.


I try these days to pick up something a bit out of the ordinary when I'm dropping a bunch of cash on comics. Fantagraphics never disappoints as far as "out of the ordinary" goes. Weird biographical comics about a woman living in Paris. There's a lot of ennui and angst, which sometimes feels like a bit of a cliche in comics like this, until I realize that cliches become cliches because they are, for the most part, true. I feel ennui and angst sometimes. I wish I had comics to let it out into.

Last one for today. I've got Empire: Uprising and Annihilator to read, but I'm going to reread the stuff leading up to the new issues first. Also picked up an Atomic Robo graphic novel, a Rick Veitch graphic novel, and the Man-Thing movie prequel.

Apr 3, 2015

The 40 Years of Comics Project: Weird Metadata Post #1

New feature. Not even remotely sure why, or what good it does, but I think about this collection this way sometimes. I'm going to try to do this approximately twice a month, but that might not last. Or it might be significantly more. But there's a lot of different ways to interact with this kind of collection. This is one of them.

When I type "Steve Gerber" into the filter on my database, I am returned with 206 comics.

At approximately 15 minutes a comic, that means I will be spending about 51.5 hours reading Gerber's work. (I should note that this doesn't include any of his stuff in collected editions. I'm having thoughts about how to handle collections that I also own runs of. Different post.)

This also means that I'll be spending 206 days reading Gerber's work, or 56% of a year.

In contrast to the collection, as it stands today at 11832 comics, the Gerber sub-collection constitues about 0.02% of the collection.

The Steve Gerber Collection is housed in 2 short comic boxes. Also housed with the Gerber Collection is the ancillary collection of Man-Thing. Gerber rose to prominence while writing Man-Thing in Adventure into Fear, so I class further Man-Thing series and appearances as a sub-division of the Gerber Collection.

The Man-Thing Sub-Collection constitutes another 21 titles not written by Gerber.

What might be interesting at some point is to take a character like Man-Thing and read everything in my collection that features the character in chronological order. There are 40 Man-Thing comics, spanning the years 1974 to 2012, and I know for a fact that I don't have everything he's been featured in.

(For number junkies, that's 11% of a year reading Man-Thing comics, and they make up 0.003% of the general collection.)

The earliest Man-Thing comic to enter the collection, by virtue of its ID number is The Man-Thing v.1 #1, January 1974. The earliest Steve Gerber is Howard the Duck v.1 #1, January 1976.