The 40 Years of Comics Project - Day 574: The Three Voices, 1994

Months and months ago I featured a Gustave Dore comic from Tome Press and talked about the place in indie publishing that Caliber occupied, and talked about the notion that a comic can be considered by virtue of the intent of its publishing or its audience, rather than just from the arrangement of words and pictures upon the pages. I delve back into this area with today's comic. While I found the editorial section a bit dodgy (blame it on the far-too-over-developed grammatical sense I carry with me now), the reprint of both the poems and the Frost illustrations is just wonderful. I've read "Jabberwocky" before, of course, but the other two poems, the titular one and "Size & Tears" were new to me. Carroll has a lovely sense of the ridiculous, and these poems foreground that. Not necessarily nonsense poems like "Jabberwocky" (though the woman in "The Three Voices" does seem somewhat nonsensical), these poems attack the idea of nonsense from more sensible directions. "Size & Tears" could even be considered a very early look at body shaming and the love of thinness.

There's no listing for this comic on the GCD, and I know they're pretty strict about the amount of actual comics that have to be in a publication in order for it to merit inclusion in the database. While I understand the need to limit, I think this is comics doing what it does very well, juxtaposing art and words, demonstrating a collaborative medium, and publishing to a mass market. Frost's illustrations do no simply depict what's happening in the poems, but offer interpretation of the characters, creatures, and action. One curious thing about this comic, and about the other two Carroll reprints I have from Tome Press, is that it claims on the cover to be number two of two, but I don't think any other issues were published. Which is great, actually, because I've spent the last number of years keeping my eyes open for the first issues, and now I can take them off the watch list!

More that's new and strange tomorrow! Onward.

The 40 Years of Comics Project - Day 140: The Illustrated Dore: The Book of Apocrypha, 1991 (Two Weeks From The Dollar Bin - Day 4)

A while back I was reading Thierry Smolderen's The Origins of Comics. It's a really cool history of the comics medium. One of the artists that he touches upon is Gustav Dore. You've probably seen his artwork before. If you're from Canada, I can almost guarantee that the last time you were in a Chapters bookstore and looked at the Bargain Art Books, there was a book featuring illustrations by Dore. This comic is a presentation of his work illustrating events from the Apocrypha. I have a soft spot for the books that were left out of the canon. Call it a comics scholar thing.

The other cool thing about this comic is that it's the first one that I've run across that isn't in the Grand Comics Database. When I was recently looking up the old Marvel Age news magazines, I discovered that they're listed, but only as shells, and that a comic has to have more than 10% comics content to be included in the database (that was my understanding of it. Please don't quote me). So I wonder if that's why this one's not in there.

The comic was published by Caliber, an indie-publisher from the 90s, under their "Tome Press" imprint. Caliber are known for.....actually, I don't really know what they're known for. There's a couple of minor Warren Ellis works that came out in Caliber publications. Bendis did some really dreadful Lovecraft adaptation work for them. I think. What I do know is that I have a number of comics like this one, all reprints of Victorian artwork, or writing, with contemporary art. Carroll's The Hunting of the Snark will come up some time in this project. And the first issue of a Jack London adaptation. It's a weird little corner of the comics world, but I respect the idea that words and pictures have always worked in tandem. It's nice to see the history.

But that brings up the question of what a comic is. For me, Marvel Age might not have had a large comics content, but pre-Wizard Magazine, that's how I stayed in touch with developments in that small part of the industry. Are they comics? Yes, if we consider comics a descriptor for the larger culture that has grown up around graphic narratives. Similarly, though this is illustration and prose, not necessarily comics, the fact that it is a juxtaposition of the two, arranged in a sequence by someone, published in a format and through a market that caters to comics people, makes it a comic.

These, I think, are really the sort of thing you're only going to find in a dollar bin. People don't keep mint condition, bagged versions of these comics, because no one wants them. But, in a way, that's what makes them cool.

But back to Dore. His artwork's super cool. He's thought of as one of the important artists in the development the comics medium. He's worth a look. As for the Apocrypha, I think they're something that superhero scholars need to consider, as our field is littered with apocryphal texts. Every reboot, every character revamp creates apocryphal works. I think it's worth considering what role those texts play in the canonical stories.

Enough of that. See you tomorrow.