"The character of Jenny Everywhere is available for use by anyone, with only one condition. This paragraph must be included in any publication involving Jenny Everywhere, in order that others may use this property as they wish. All rights reversed."
Jenny's description from The Shifter Archive: "She has short, dark hair. She usually wears aviation goggles on top of her head and a scarf around her neck. Otherwise, she dresses in comfortable clothes. She is average size and has a good body image. She has loads of confidence and charisma. She appears to be Asian or Native American. She has a ready smile."
The Origin of Jenny Everywhere
Page One
Full Page
First things first. The art should have a real "Silver
Age" feel to it. This may or may
not be The Shifter's origin (well, it's my version anyway), but I want it to feel
old. In large letters across the top of
the page:"SHE IS THE SHIFTER!"
The Shifter herself is standing, hands on hips looking off-panel. A very heroic pose. I'll see if I can find source material, but
I'm sure you can see it. For lack of a
better word, it's a "Superman" pose.
Page Two
6 panel breakdown, 2 across, 3 down, all
the same size.
So we've got three very brief origins. The
captions stretch across the two panels.
If I'm feeling really artistic, I'll send along a little thumbnail
thing.
Panel One: Shifter in street wear (secret
identity?) walking along the street.
We're looking down through a ring of clouds. Oddly familiar deities are watching her too,
staring down a la that pool they had in Clash of the Titans.
Caption:"DID THE COSMIC POWERS GRANT
HER THE WONDROUS ABILITY TO CROSS THE DIMENSIONS?"
Panel Two: Shifter foreground, arms and
legs spread facing us, like that Da Vinci thing that went up with the Voyager 2
probe. If that made no sense I'll send a
picture to you. Background is radiating
from a central point behind Shifter's back, cut into slices to show different
dimensions. (Dinosaurs, robots, etc.)
Panel Three: Again, Shifter in street
wear/civilian identity, looking at a small bump on her arm that appears to be
glowing. In the sky behind her, possibly
disappearing behind a cloud, is a stereotypical UFO.
Caption:"DID AN IRRADIATED BEE STING
CAUSED BY A DOOMED ALIEN SPACESHIP ALLOW HER TO BE HER OTHER SELVES?"
Panel Four: Similar to panel 2, but with
vertical lines cutting the panel in four.
Each will have a different background.
Shifter is running/striding across all four, but her clothing where her
body intersects with each will match the background. (e.g. moonscape - space suit, beach - bikini,
etc.)
Panel Five: Street wear again. Getting predictable aren't I? Shifter is looking at a box on a table. The thought bubble over her head has a cat's
face and a question mark in it.
Caption:"IS SHE THE NEXT STEP IN THE
QUANTUM EVOLUTION OF HUMANKIND?"
Panel Six: Split panel with Shifter
central. On one side she holds an
affectionate cat, on the other she weeps over a small grave.
Page Three
Full Page
The Shifter in a VERY Kirby-esque
pose. Background in much the same vein
as page 2, panel 2, but with more and varied dimensions. First caption at the top, second one at the
bottom.
Caption:"THE ANSWER IS....."
Caption:".....YES!"
Page Four
Another 6 panel breakdown, like page
2. Single panel descriptions of various
odd adventures. Most of the captions
will give you a clear enough picture to let your imagination run amok.
Panel One: Similar to opening page. Heroic stance.
Caption:"WITNESS HER AMAZING
ADVENTURES!"
Panel Two
Caption:"BATTLING THE TERRIFYING
MIND-SPIDERS!"
Panel Three
Caption:"SAVING THE EARTH AS IT
BALANCED ON A PIN-HEAD!"
Panel Four
Caption:"STAVING OFF THE SAVAGE JUNGLE
TERROR......"
Panel Five
Caption:"....AND THE STARK DESERT
MADNESS!"
For panel's 4 and 5 I was thinking some
cheesily sexy poses of Shifter captured by prehensile vines and pseudopods of
sand. A little something for the
fanboys.
Panel Six.
Think romance comic.
Caption:"OR MAYBE A LITTLE
ROMANCE?"
Page Five
Full Page.
The Shifter in uniform running towards
us. Behind her should be every strange
and weird character and creature that you can think of. In the sky a mass of spaceships and dragons
and stuff. Let's really show that these
adventures can involve anything.
Caption:"JOIN THE FABULOUS SHIFTER AND
HER FRIENDS FOR AMAZING ADVENTURES IN OTHER DIMENSIONS!"
And that's it. Whaddaya think?
The Elizabethan Adventure
Synopsis:
A medieval world. Elizabethan England,
but 21st century. Imagine technological
improvement just stopped about 400 years ago.
The Shifter, perhaps not going by that name, or perhaps un-named in the
story, wanders the streets in garb fitting the era, along with her trademarked
goggles. We'll assume the movement
towards gender equality is much like our own, allowing for a female character
to wield a little power in this world.
The Shifter is someone of some importance, a noble or business person. The whole of the narrative, text boxes and
word bubbles will be in rhyming couplets.
For the text, I'm thinking that if we can find a template of an
old-looking scroll, or if you can design one, that would lend to the atmosphere
of the piece. Feel free if something
doesn't work or seems awkward to change it, or get back to me and I'll do a
re-write. I'm aiming for four pages, but
if you see a way to expand or contract that number, you're the drawing guy, so
do it.
The
meat of the story will be an exchange between the Shifter and someone who seems
to know her, though the Shifter has no idea who it is. I'm trying to get at the idea that it's
another person who somehow has the same power as the Shifter, and appears to
have awareness of the Shifter while she has no awareness of this person. I'm not sure I'm going for an action story or
a witty one. If I'm feeling inspired,
the Shifter's "adversary" might have an hint of Oscar Wilde about
him, more a prankster than a villain.
Anyway, on to the script and we'll see what happens.
p.s. If this is absolutely not what you were
hoping to illustrate, do let me know.
This is just one idea I've had kicking around, but I've got a couple of
others. If you'd rather do something
else, give me an idea what you wanted and maybe we can come up with something
together.
Page
One.
I'm thinking that, in trying to keep an
"old-fashioned" look to the story, considering it's setting, a
standard splitting of the page into horizontal thirds would be good. I'm trying to think of a reference for this
style because I know I've seen it before.
The best one I can think of now is Alan Moore's Glory #1, from
Avatar. There's a story within a story
there where it goes from "modern" panel layouts to more
"traditional" layouts. Anyway,
here we go.
Panel
One
Large
panel across top of page. This'll be our
establishing shot. For reference I would
advise a scene from something like "Shakespeare in Love" or something
like it. We'll have the Elizabethan
setting, but make it look less dirty than it would have been historically. This intimates that, while technology seems
to have ceased, advances in things like medicine and cleanliness haven't. Perhaps I'm just giving too much background
for what the story needs, but I have a very strong sense of this world. Text box across the top.
Text:
"SHOULD THE FORTUNES OF MEN HAMPER US WITH DEFEAT THERE IS ONE WHO WILL
NEVER LAY STILL."
Panel
Two
Half
size of above panel. Shot of the Shifter
walking down the street, perhaps glancing at a fruit cart or vendor of some
sort, a smile on her face.
Text:
"SHE TRAVELS ALL WORLDS LIVING LIVES STRONG AND MEEK AND HER LIKE'S NEVER
BEEN SEEN BEFORE."
Panel
Three
Another
half-size, same level as last one. This
one can be our "origin" panel, somehow illustrating the Shifter's
ability to exist in all dimensions at once.
I really have no idea how to illustrate this. Any ideas?
Text:
"WITH KNOWLEDGE OF SELVES WHO HAVE LIVED OTHER LIVES SHE USES HER WITS AND
HER GUILE."
Panel
Four
Half-size
panel again. More establishing shots
again, as is the next panel. Scenes of
The Shifter interacting with her environment.
The story will get into full swing on the next page.
Text:
"SHE IS QUICK ON HER FEET AND IS FLEET IN HER HEAD,"
Panel
Five (See descriptor of Panel Four)
Text:
"AND IS EVER SO QUICK WITH A SMILE."
Page
Two
Set
up will be 2 panels, 1 large panel, and then 2 panels. I'll give a rundown of the action here,
rather than separating it into panel descriptions. The first and second will be shots of our
"villain". Elizabethan
clothing, with kind of a shifty yet charming look about him. Let's make him the perfect foil for the
confidence of the Shifter. Han Solo
doing Shakespeare maybe. I want for him
to alternately function as a love interest/nemesis. Perhaps in the first panel we somehow see him
accessing his powers, though how that would look I don't know. The large middle panel will be another street
scene with the Shifter and Sansucre (his name potentially) at opposite
ends. He is quite obviously watching
her. The last two panels will depict her
noticing his presence and then stepping swiftly into an alleyway.
Panel
One
Text:
"THIS TALE WE RELATE IT IS STRANGE IN ITSELF FOR A NEMESIS MAY BE REVEALED.
Panel
Two
Text:
"ANOTHER WHO LIVES IN A MULTIPLE STATE WHO HAS KEPT HIS PRESCENCE
CONCEALED."
Panel
Three
Text:
"HE WATCHES HER NOW FOR HE KNOWS WHO SHE IS INDEED HE HAS MET HER BEFORE.
Text:
"BUT OUR FABULOUS HEROINE, WE MUST CONCEDE HAS NO CLUE WHAT WE HAVE IN
STORE."
Panel
Four
Shifter
(thinking): A STRANGER IS WATCHING, HE THINKS I'M HIS PREY I'LL TEACH HIM A
LESSON
Text:
"...SHE THINKS."T
Panel
Five
Text:
"AND MOVING AWAY FROM THE BUSTLING STREET TO
THE DARK OF THE ALLEY SHE SLINKS."
Page
Three
Six
equally sized panels. These will depict:
Sansucre entering the alley, the Shifter grabbing him from a concealed place
behind him, a brief tussle that results in both landing on their butts (2
panels) and an exchange revealing that he knows who she is and that she doesn't
know him.
Panel
One
Text:
"THIS SUSPICIOUS YOUNG MAN HE FOLLOWS HER NOW."
Sansucre
(thinking): SHE CANNOT ESCAPE FROM THIS PLACE.
Panel
Two
Text:
"BUT WHEN HE IS GRABBED FROM BEHIND IN THE DARK HER STEALTH HAS BROUGHT HIM DISGRACE."
Panel
Three
Text:
"A TUSSLE ENSUES, THE COMBATANTS WELL MATCHED,"
Panel
Four
Text:
"IN THE END BOTH ARE LEFT ON THE GROUND."
Panel
Five
Sansucre:
I'VE FOUND YOU AGAIN, I AM TIRED OF THIS GAME.
Panel
Six
Shifter:
FOR YOUR ACT, CONSEQUENCE WILL ABOUND.
Page
Four
Lots
of talking on this one. I don't know if
a break from the set up is called for. I
was against it to begin with, but perhaps a full page with the two conversing
might work, their word bubbles running down the centre of the page like a
poem? I'll just put the exchange here
and if you don't think that would work visually, or takes away from the way the
strip has progressed thus far, we can change it.
Shifter:
WHO ARE YOU SIR TO HINDER ME THUS? I'VE DONE YOU NO WRONG AND NO ILL.
Sansucre:
FOR WE WHO LIVE LIVES WITHIN LIVES WITHIN LIVES MAYBE YOU HAVE.....OR YOU WILL.
Shifter:
ANOTHER LIKE ME? BUT HOW CAN IT BE THAT
NEVER BEFORE HAVE WE MET?
Sansucre:
THE WHIMSY OF FATE IS NOT OURS TO DEBATE NOW WE HAVE, THOUGH, OUR DESTINY'S
SET.
Shifter:
WHAT DO YOU MEAN BY SAYING SUCH THINGS, WHY IS IT THAT WE CAN'T BE FRIENDS?
Sansucre:
OUR EXISTENCE NEGATES IT, THOUGH PART OF ME HATES IT AND THAT'S WHY YOUR LIFE I
MUST END. FOR THOSE SUCH AS WE WHOSE
AWARENESS EXTENDS TO EVERY SELF THAT DRAWS BREATH MUST AGREE THAT SOME INFINITE
BRANCH OF OUR ROAD WILL LEAD THE OTHER TO DEATH.
Shifter: BUT BY YOUR OWN LOGIC THERE MUST BE A BRANCH
WHERE THE TWO OF US LOVE, A DUET? ARE YOU WILLING TO RISK THE FUTURE OF THAT
JUST IN CASE WE ARE ENEMIES MET?
Sansucre: LOVE IT WILL COME AND LOVE IT WILL GO BUT TO
LOVE ONE MUST ALWAYS HAVE LIFE. IF ENDING YOU NOW MEANS THAT LIVING I'LL BE
I'LL END YOU RIGHT NOW WITH MY KNIFE.
Page
Five
Five
panels. Two on top, two in the middle
and one large one on the bottom to end it.
In the first panel he launches himself at her. She ducks under him in the second panel, and,
in the third panel realizing that they are too well matched, she takes off into
the street. In panel four he follows her
but realizes in panel five that she has escaped into the crowd of the
street. The last panel will see him at
the entrance to the alley looking out at the crowd. I know this seems awfully hurried, but I'll
make it seem dramatic and cool with the text and speech stuff. Hmmm, said I was aiming for four pages, but I
really can' t see how to make this any shorter.
We'll see what you think, I guess.
Panel
One
Text:
"WITH THESE FINAL WORDS HE DRAWS FROM HIS SHIRT A LETHAL AND WELL-BALANCED
DIRK.
Panel
Two
Text:
"BUT HIS LAUNCH IS A BLUNDER, THE LADY DUCKS UNDER REALIZING THAT HE IS
BERSERK."
Panel
Three
Text:
"BEING AWARE THAT THEIR STRENGTHS ARE WELL MATCHED SHE OPTS TO ESCAPE HIS
ATTACK AND INTO THE STREET SHE RUNS FAST AND FLEET DISAPPEARING AND NOT LOOKING
BACK."
Panel
Four
Sansucre
(thinking): AND SO SHE ESCAPES, NOW AWARE OF MY PLAN SHE'LL PREPARE NOW SHE
KNOWS I AM HERE.
Panel
Five
Text:
"SO THIS SHORT STORY ENDS, BUT SADLY, MY FRIENDS THE SHIFTER HAS A NEW FOE
TO FEAR."
Text:
"FIN"
That's
it. Any questions, suggestions I am well
open to. The whole idea is
collaborative, so I value any input you've got.
And if you're looking for something else, no offense will be taken if
you don't like the script.
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